War Machine

March 9, 2011 (Holy !@#$, I feel old.)

When once distant UFOs become a terrifying threat and an alien invasion force begins attacking Earths major costal and riverside cities, a U.S Marine staff sergeant and his team are sent into battle only to find they must take it upon themselves to defeat an unknown enemy and protect what remains of Los Angeles.

Look, I enjoyed "Battle: Los Angeles (2011)" for what it was. It was a'ight. Likewise, this movie is also a'ight.

I will say though, that the U.S. military propaganda feels more in your face here. Also, Alan's acting feels off sometimes, especially in his final speech.

P.S. In case all of that went over your head, I'm saying "War Machine (2026)" is literally "Battle: Los Angeles (2011)".

Go 'head. Watch the two movies back to back, side by side, then come back and tell me it ain't the same movie.

Just in time for the US's war of aggression in Iran comes "War Machine."

A bravado ridden affair where the US military rules the world and its working class tough guys (and one girl) take on all aggressors, including giant 80's-style VCR-like UFOs with legs, missiles, and ray guns.

Viewed as simplistic military action, entertainment its alright. Lots of people get killed in grisly style, and things go "ka-boom."

In summary, given the current war mongering climate US military propaganda is unsurprisingly front and center in this basic sci-fi war film. A mediocre watch.

War Machine (2026) is a standout for anyone who appreciates a straightforward, high-tension film that avoids the typical political traps of the military genre. It delivers a raw experience by focusing on the physical and mental endurance of the characters rather than pushing a specific agenda or narrative.

Alan Ritchson brings a grounded intensity to the role of "81," making the transition from a grueling Ranger selection process to a sci-fi survival scenario feel surprisingly realistic. The film excels because it stays focused on the technical aspects of the situation—how the squad adapts to an unknown threat with limited resources and sheer willpower.

The lack of propaganda is one of its strongest points; it doesn't try to lecture the audience or romanticize the conflict beyond the survival of the men on the ground. It is pure, high-stakes cinema that relies on atmosphere and pacing to keep you invested.